As an artist, I am interested in the syntax of the languages of Cinema. I construct narrative devices aiming at new approaches of storytelling. The films unfold independently of the human voice. Montage and composition establishing the grammar of the narrative device. I believe in the essaystic imperative through the filmic form. The medium’s ability to render the subjectivity barrier inoperable, allows for the formation of complex narrative structures in generally comprehensive form.

I am drawn to political landscapes. From the container ship culture in the Baltic or the murder of an LGBTQI Activist in Athens, my films are reportages on environments of violence. Its representation is a burden to those witnessing it. By establishing a psychogeography methodology through an ethnographic scope, my films form a mythology of my attempts to link the pre-conditions of my migration with the consequences of our access to excess.